The Raven (1935)

The Raven (1935 film)

Originally published May 11th, 2013

Since I’m taking a break from Journeys in the Disney Vault this week, I’ll throw in a review of last week’s Svengoolie episode on the 1935 Universal horror film, The RavenThe Raven pairs up Boris Karloff and  Bela Lugosi in a taut, albeit brief, horror film.  Nothing too unique, and bearing zero resemblance to the Edgar Allan Poe novel from which the title is derived from, The Raven is an intriguing deep cut into Universal horror

Dr. Richard Vollin (Lugosi) is tasked with saving the life of the beautiful Jean (Irene Ware).  Problems arise when he falls in love with the young woman to the consternation of her father.  After enlisting, and disfiguring the face of former convict Edmond Bateman (Karloff), Vollin commands Bateman to kill Jean’s father.

If you’re not aware, Svengoolie is the name of the host of a horror show that airs on various channels throughout the US (think Creature Feature or Vampira back in the day).  I miss the days of the old horror hosts, and if the show is available on your station, take some time on a Saturday night to watch the fantastic slate of movies.  I might make this a recurring feature if I can because I know there’s a few horror hounds who read my blog.

This was the second collaboration between Lugosi and Karloff, after 1934’s The Black Cat; it’s an intriguing experiment, although Lugosi and Karloff are on opposite sides than they were in Cat.  I was taken aback by the fact that the title is a misnomer.  The story doesn’t retell Poe’s The Raven, although Lugosi does read excerpts from it here and there.  Vollin is a Poe fanatic, though, (wow, no one can be a casual Poe fan anymore!) and the climax of the movie revolves around him torturing Jean’s father à la The Pit and the Pendulum.  In a way, The Raven is a grab-bag of Poe events which should please fans of the Gothic author.  The love of the Gothic does tend to explode onto the screen, with every scene and musical cue being squeezed for its full Gothic effect.  I love the Gothic as much as anyone, but less is more.

Similar to past Lugosi/Karloff collabs, there’s little terror or horror in The Raven.  I’d consider the movie a character piece as you watch Vollin and Bateman struggle to get what they want.  Lugosi is the weaker of the actors, as he would be throughout the length of his career, due to his stagy, over-the-top mannerisms.  It’s easy to believe he’s a surgeon (although I’d never let him operate on me), but the shots of Lugosi’s eyes beg the audience to see him as another Dracula figure.  The aforementioned shot is also out of character with the scene; he’s cutting into a woman’s head, and we need a seductive glance in his eyes?  Lugosi does fall into a bad habit of cavorting and mugging for the camera too much, although there is an intriguing theme that runs throughout about whose “hand” is better suited to torture; I pick Vollin.  The character possessing grist is Karloff’s character.  Sure, the wonky eye he’s supposed to have is simply painted on to his eyelid (and starts to fade as the movie closes), but it’s a meatier role.  It does fall into Frankenstein territory, with Vollin taking on the dimensions of a new Dr. Frankenstein, but with the way Karloff plays Bateman, you see progression.  Bateman doesn’t want to be confined by his violent past, and believes a pretty face is the first step.  By the end, Bateman becomes a lumbering clod with a heart of gold, but he’s entertaining to watch; Lugosi is entertaining, but far too repetitive.

The Raven’s a fun movie with an interesting series of torture devices, particularly at the end.  The leads are engaging, Karloff getting the edge.  It’s a worthwhile movie if it airs!

Ronnie Rating:

3Ronnis

Interested in purchasing today’s film?  If you use the handy link below a small portion will be donated to this site!  Thanks!

The Bela Lugosi Collection (Murders in the Rue Morgue / The Black Cat / The Raven / The Invisible Ray / Black Friday)

Advertisements

9 thoughts on “The Raven (1935)

  1. I wasn’t aware of this one… I’ve seen the later Karloff/Price/Lorre film of the same title, and until I read the date I thought the post was going to be about that. Now I’m going to have to track this one down… it’s always fun to see the old horror legends at work, even (or sometimes especially) when it’s in a film that isn’t directly going for the scares. And it’s especially fun when more than one of them is involved in a film.

    • Extremely jealous that you get Svengoolie in your town. He was my hometown horror host growing up in Chicago. i was even born in Buuuuurwyn (Svengoolie fans with get that one). Alas, he’s not on the air here in Denver.

      Though I’m a huge Lugosi fan, I have not seen this one yet. I have seen Corman’s version with Karloff and Lorre which has great mix of horror and humor.

      • Aw, no Svengoolie?! I must admit, I discovered him on a whim and am now hooked, so I’m a little late to the party (Although I feel super cool to get the “Buuuurywn” reference).

    • I originally believed it was the later version as well. I had no idea how many collaborations Karloff and Lugosi did together. I’m intrigued to see the Karloff/Price version for comparison’s sake.

      • I imagine you’ll like it; it’s a comedy adventure, and it’s a lot of fun. Also noteworthy due to an early appearance from Jack Nicholson in a supporting role.

  2. Pingback: The Month in Film: May 2013 |

  3. Pingback: The Pit and the Pendulum 1961 film Review

  4. Pingback: The Devil Bat (1940) |

Question, Comment? Leave It Here

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s