daisykenyon

Daisy Kenyon (1947)

Catching lightening in a bottle is a next to impossible journey, so it’s understandable that director Otto Preminger struggled to recapture the same romantic noir mood he evoked in Laura (1944). Three years later Preminger created another romance with Daisy Kenyon, though the tone is remarkably more romantic, hewing closer to a domestic drama. There’s…