Throughout the next four weeks I’ll be reviewing various musicals in support of TCM’s newest interactive online course, Mad About Musicals. Any classic film lover will tell you mitigation is … Continue Reading Mad About Musicals: Seven Brides for Seven Brothers (1954)
The implementation of the Code in 1934 left many films in a state of disarray, having to tweak scripts and direction at the last second to comply. Cinema was left … Continue Reading The Gay Bride (1934)
Gene Kelly is responsible for crafting two of the most enduring musicals of the 1950s, 1951’s An American in Paris and 1952’s Singin’ in the Rain. But by 1957 Kelly … Continue Reading Les Girls (1957)
As cinephiles we’re aware of two truths: actors in biopics won’t look like their respective subjects and movies based on novels don’t often please fans of the book. This latter … Continue Reading A Lost Lady (1934)
Actresses were always pigeonholed during the classic era, but Kay Francis always seems especially confined to her particular brand of persona. Watching Comet Over Broadway immediately draws comparisons to another … Continue Reading Comet Over Broadway (1938)
I’m a sucker for a good marriage plot. Nearly every genre of classic film works better during the golden era but marriage plots are particularly unique. For one, they showcase … Continue Reading The First Hundred Years (1938)
